Jamil doesn't talk much, which is quite fine with me, as it allows me to work more. I think it is because English isn't his first language, although I could be wrong. He is definitely not a native New Yorker. We're barely halfway back to the manor, and it is already taking longer than Cheri did with twice as much traffic. At least I kept track of the toll stations this time.
I'm revising the latter chapters of The Third Generation to keep it in line with what I've done in The Second City. I'm guessing most authors would be focusing on their current book this close to publication, but not me. My many years in proofreading/editing made the correction process go along much faster than normal. All that's left to do is double-check the final galley proof, which I won't be getting until after my Lexington trip. I will have to remember to thank the editors when I receive it. I make a note of it.
Back to the vampires I'm having a hard time writing up this important scene where my original character finally becomes a vampire, and I'm having a difficult time getting the scene not just right, but with how it flows with the established cannon. That is the sticking point.
I helped create the character for the long-running chronicle my friends started way, way back in high school, and it kind of hurts relaying how he first becomes one of the undead. His name is Vrikansya, although he usually goes by "Old Vic" by the early twenty-first century, making him active for thousands of years. Now, I get to write how his "first death" and his first hours as a vampire, and it is scaring me.
I've had his backstory planned for over a decade, never mentioning his origins to any of the players in my chronicle. He was once a servant to one of the leaders of the first city, but he made a name for himself by surviving the flood that destroyed it, as well as saving others, including an unknown vampire whose existence has been hinted at in cannon for years, but never explained. I detail this adventure in The Second City. It takes up an entire chapter near the end.
Because of his exploits, he gets promoted to head ghoul, a human bound by the mystic ties of blood to his master, for his vampire lord. He also gets caught up in a great conspiracy which ultimately will turn him into a vampire. That is the part of his history I can't seem to pin down. I know the highlights of what happens to him for the next few centuries, which I hope to write about in further books if I get the chance. It's just this one scene that is holding me back. His vampire lord "dies" just before Vic gets turned into a vampire himself, but I can't seem to get the beats lined up correctly. I need to show both how Vic defeats his master's attackers in his first moments as one of the undead, but I also need to show how his master still exists as a sort of "god" in a purely spiritual form. This was his master's plan all along in an effort to sidestep the curse of vampirism. I just need to figure out how to show Vic how his master survived and how Vic can further his plans along.
"Mr. Burton. We're almost at the house." Jamil pipes in, breaking me from my mental block.
"Thank you." I need to double check my resources and notes before I write any more. At least the fates of the rest of the Third Generation are going to be easy compared to this one.
I see Sam's electric monstrosity parked on the driveway, when he knows it needs to be back in the garage to charge up. I bet he thinks we'll take it for the meeting. No.
Jamil stops the car, and I nod to him as I take my leave. He nods back in acknowledgement. He is one driver I will not miss. I would miss Cheri, but Jamil... He just doesn't pack as much sentiment for me.
I walk around to the back of the house instead of going in the front. I want to check the garage for the Beretta before anything else. I wouldn't put Sam up for causing any trouble, but he really hates that car. Almost as much as I hate his. Maybe he'll keep it. I know I won't be getting to keep the Beretta.